Review:
George Clooney lives in the air - on planes and in airports. 322 days a year, he is on the really high road (sorry for that horrible joke) in his job of professional employment terminator, i.e. he fires people and helps them cope with the situation by painting it in bright colours as a chance for a better life. And he is happy in that life of hotels and airports without any real human connections. Things change when he meets a woman he actually falls for while also encountering the enthusiasm of a young colleague fresh out of college, who invented firing over the internet. He takes her on a trip to learn the ropes while his life of solitude slowly dissolves. The film is often extremely funny while also dealing with a real dramatic problem (being laid off), but ultimately falls a little flat. It’s great fun to watch for the most part, but the end is hardly satisfying and feels disconnected and unreal.
Random Observations:
This is the sixth of the ten Best Picture Oscar nominees (more about the Oscar nominations here) I’ve seen and I’m still rooting for one I haven’t seen - The Hurt Locker. The film is also nominated for Best Director (Jason Reitman), Best Adapted Screenplay (Reitman and Sheldon Turner), Best Actor (Clooney) and Best Supporting Actress for both Vera Farmiga and Anna Kendrick. Out of those, Clooney’s performance and Reitman’s direction are the most deserving winners, but both are unlike to walk away with the Oscar exactly one month from now.
Because there was an unusually long queue at the ticket counter, I actually missed the first few minutes of the film, something which I absolutely hate, and feel somewhat reluctant about the validity of my critique.
For the most part, the film worked as a realistic tale of human life, but the fact that somebody whose company fires people for other companies thinks that it might be a good idea to do so over video-chat, was too contrived and repeatedly took me out of the movie.
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