Saturday, March 6th, 2010
Award Season is Crazy Season. If you follow these things at all, you have been bombarded by information about the superiority of one film above another for months now. If you blissfully ignore all that stuff, you might even not have heard that a producer on The Hurt Locker is in trouble for trying to convince Academy voters to vote for his film instead of Avatar. His crime: sending an e-mail to his friends. Yes, things are crazy. So it is a good thing that with the Oscar telecast on Sunday, Award Season will be over. Until May or so, when the first discussions for next year’s favourites and winners will begin once more.
But before the Oscars, the most important of all the meaningless awards, are handed out on Sunday, it is time for my annual Oscar predictions. Last year, I picked 19 of the 24 winners. This year, let’s try to improve on that. But unlike last year, this year I actually feel like I am entitled to my own opinion, having seen 20 of the 58 animated films, 18 of the 38 feature films, and actually having seen all nominated films in three categories. So not only will I now predict the Oscar winners as promised, I will also tell you who should win. (Yes, my opinion constitutes objective truth in these matters.) The following list is ordered rather randomly and incomplete, an alphabetical and complete breakdown of all categories and predictions follows at the end.
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Tags: 2009, 2010, A Matter of Loaf and Death, A Serious Man, A Single Man, Aardman Animations, Ajami, Alessandro Camon, An Education, Anastasia Masaro, Anna Kendrick, Armando Iannucci, Avatar, award season, Bob Peterson, Carey Mulligan, Caroline Smith, Christoph Waltz, Christopher Plummer, Coen Brothers, Colin Firth, Coraline, Crazy Heart, Das Weisse Band, Dave Warren, Disney, District 9, El Secreto de Sus Ojos, english, Ethan Coen, Fantastic Mr. Fox, Faubourg 36, Gabourey Sidibe, Geoffrey Fletcher, George Clooney, Harry Potter and the Half-Blood Prince, Helen Mirren, Henry Selick, In the Loop, Inglourious Basterds, Instead of Abracadabra, Invictus, James Cameron, Jason Reitman, Jeff Bridges, Jeremy Renner, Jesse Armstrong, Joel Coen, Kathry Bigelow, La teta asustade, Lee Daniels, Logorama, Maggie Gyllenhaal, Marion Cotillard, Mark Boal, Matt Damon, Mauro Fiore, Meryl Streep, Mo'Nique, Morgan Freeman, Movies, Neill Blomkamp, Nick Hornby, Nine, Oren Moverman, Oscar, Paris 36, Penélope Cruz, Pete Doctor, Pixar, Precious, Precious: Based on the Novel 'Push' by Sapphire, Quentin Tarantino, Randy Newman, Sandra Bullock, Sheldon Turner, Sherlock Holmes, Simon Blackwell, Stanley Tucci, Star Trek, T-Bone Burnett, Terri Tatchell, The Blind Side, The Door, The Hurt Locker, The Imaginarium of Doctor Parnassus, The Messenger, The Princess and the Frog, The Secret of Kells, The White Ribbon, Tom McCarthy, Tony Roche, Un Prophète, Up, Up in the Air, Vera Farmiga, Wallace & Gromit, Wes Anderson, Woody Harrelson
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Friday, February 5th, 2010
By now, it has been three days since the Nominations for the 2009 Academy Awards, more commonly known as Oscars, have been announced, and everybody has had plenty of time to comment on them, despair over the obvious oversights and dreadful inclusions, and ultimately come to accept them as the meaningless bullshit they are. So now I thought it would be a good idea to voice my opinions on (some of) the nominations, a complete list of which can be found here. My predictions as to who will win will be up in this very space in early March, in time for the, glorious, gloriously ridiculous and ridiculously overlong ceremony on March 7th.
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Tags: A Serious Man, Academy, Academy of Motion Picture Arts and Sciences, AMPAS, An Education, Avatar, award season, Brokeback Mountain, Carey Mulligan, Christian Berger, Christoph Waltz, Coraline, Crazy Heart, Das Weisse Band, District 9, english, Fantastic Mr. Fox, Helen Mirren, Inglourious Basterds, James Cameron, Jason Reitman, Jeff Bridges, Kathryn Bigelow, Meryl Streep, Mo'Nique, Movies, No Country for Old Men, Oscar, Precious, Precious: Based on the Novel 'Push' by Sapphire, Sandra Bullock, The Blind Side, The Hurt Locker, Up, Up in the Air
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Thursday, January 21st, 2010
Review:
In this newest film from the great filmmaking duo of Joel and Ethan Coen, the two brothers draw on their own childhood experiences to tell the story of a Jewish professor in 1967 Minnesota, whose life is falling apart. His wife wants a ritual divorce to marry another man, his brother is having trouble with the law, his children are selfish beyond belief and to top it all off, he has to deal with a bribe that could cost him his tenure. The film is a very dark (and Jewish) comedy that is extremely entertaining - but to get more out of it, you need to be at least somewhat religious. But no matter the message, there are laughs a plenty, and sometimes, that is more than enough.
Random Observations:
A Serious Man at the IMDb
This is definitely one of the weaker Coen Brothers films, which means that it is still a pretty good film compared to most.
If you watch movies and/or TV regularly, you will recognize many of the actors’ faces, even if you, like me, know none of them by name. Except for Simon Helberg, of course.
There is some serious awards consideration going to actor Michael Stuhlbarg right now and rightfully so. He is absolutely terrific in the lead role.
The ending, while clearly intended that way, still left a lot to be desired in my opinion. And yes, I understood that sometimes you just have to accept the mystery.
Tags: 2009, A Serious Man, Aaron Wolff, Adam Arkin, Alan Mandell, American Film, Amy Landecker, Ari Hoptman, Benjy Portnoe, Brent Braunschweig, Coen Brothers, Comedy, David Kang, Drama, english, Ethan Coen, Fred Melamed, George Wyner, Jessica McManus, Joel Coen, Michael Stuhlbarg, minute movie review, movie review, Movies, Peter Breitmayer, Richard Kind, Sari Lennick, Simon Helberg
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