Review:
Acclaimed stage actress Marlene Dietrich runs to her lover Richard Todd to help after her husband’s death. When he becomes a suspect, he turns to his amour Jane Wyman to help him. Sure that Dietrich has set him up, she decides to pose as her dresser in order to clear her friend’s name. This Alfred Hitchcock thriller is incredibly slow and boring for the first hour, but really picks up the pace after that. Dietrich as the stage diva is simply superb and a great supporting turn by Alastair Sim make the film worth watching, even if it is one of the director’s lesser efforts.
Random Observations:
We continue our celebration of American Cinema of the 1950s with this British Film. That’s what I get for just assuming that Hitchcock worked exclusively in Hollywood in the 50s…
The film was dismissed at the time because it “cheated” the audience. I don’t want to go to far into the matter here so as not to spoil the film, but let’s just say that Hitchcock did something nobody had ever done before.
I really liked it when Hitchcock was showing off, having the camera follow an actor inside a house through the door, then have the door close and follow the actor further without any cuts.